Once again we find ourselves posting on a day that celebrates a beloved fictional character . And why not? After all, we’ve had days (and posts) celebrating these holidays before, even if our inner cynics know they're mostly marketing ploys to sell media and merchandise. We’ve talked about the nature of Superman and his stories in Strange, Familiar Visitor from Another Planet . We've taken tips for our tabletop games from Mario's adventures in the Mushroom Kingdom with Details: The Power-Up Mushroom for Your Narrative . And while he's arguably a vigilante, there's no argument against celebrating the enjoyment of our favorite caped crusader - Batman! In various forms, the character has always been a big part of our households, with many birthdays and Halloween party themes featuring hero (and villains) of Gotham City. There's plenty of inspiration to be found in the tales of the Dark Knight, so let's race to the Batcave and discuss them in today's Bat-Po

It's funny. As someone who views "detective" as an integral part of their personality , I sure have a lot of crime games. Well, crime media in general, especially movies, but games have certain... implications. You're the one committing the crimes , not watching other characters do them or following a protagonist as they piece together criminal events through evidence and investigation. You're right there, doing all the bad stuff yourself. Recently, in the ongoing quest to tackle my massive game backlog, I've been playing the first Tenchu game, released in 1998. I bought it because the creators would later go on to make my beloved Way of the Samurai series, but if one looked at my shelves, they could easily assume I chose it thematically, as Tenchu 's neighbors include numerous Hitman , Assassin's Creed , and Dishonored games - a subgenre we'll call "assassination games." I've seen it remarked that there's an irony that, while

No matter what (or who) we're engaging with, first impressions carry a lot of weight. But even before we've made them, we already have a set of expectations and preconceptions. These can be based on deliberate signifiers (this taxi is available because it's parked and the light is on), cultural preconceptions (I can talk to the driver, but they won't engage with anything I say in-depth), and underlying, unquestioned fundamentals of reality (the driver will appear human). This takes place in media as well, and largely defines the way we engage with genre works . When our actual experiences don't line up with expectations, we experience a sense of confusion as our brains struggle to catch up and make sense of what it's been presented, confusion that may (or may not) be proportional to the nature of the dissonance. If someone was familiar with anime conventions and the types of stories typically featured in anime, but not, say, the convoluted, darkly comedic crime

POW! BIFF! ZOT! Fight scenes have been a part of narrative media for... well, as long as there has been narrative media . The Illiad , for instance, is full of the granular blow-by-blow we expect of fight scenes today, regardless of medium . So this is not a topic for which I can do any kind of justice - I'm sure there are people who have dedicated their entire careers to the study of narrative combat, and there will always be more to talk about, more to discover. Rather, this post will explore some recent thoughts inspired by (what else) a mostly-forgotten twenty-year old video game. Oni is a third-person action game with a focus, despite the arsenal of weapons featured in the official art, on melee combat. Today, it's remembered mostly as the game Bungie made after Marathon and Myth , but before Halo . Culturally, it's a rather bizarre relic: a western attempt at making an "anime game" based on limited reference points that the creators lifted wholesale, partic

Today is V-E Day, and earlier this week, by sheer coincidence, I declared victory over Return to Castle Wolfenstein - specifically the Playstation 2 version. I'd started it a while ago, but picked it back up both to try and cut down my gargantuan list of  “in-progress” games and to build up to playing the more recent titles in the series with Andy. Playing RtCW in 2021 was certainly... an experience . I haven't chosen the games I've played during the pandemic specifically because of their relation to current events, but an eerie number have featured infectious disease plots ( Metal Gear Solid V , Dishonored , and Marvel's Spider-Man ), so gunning down Nazis at least gave me a chance to engage with a different aspect of our unfortunate times. Return to Castle Wolfenstein is, obviously, an "historical" game, but in more ways than might seem obvious (or intended)., The era it conveys is not the 1940s in which it was set, but the way that period was conveyed in

Star Wars, as a roleplaying universe, is one that is near and dear to my heart. In fact, long before I got into Dungeons and Dragons, Star Wars was my gateway into the world of tabletop roleplaying games. My father had mentioned D&D to me before, and we’d even played Dungeon! , but Star Wars was my first foray into what would become a lifelong hobby. It should be no surprise that the universe of space wizards and scruffy looking nerf-herders drew me to roleplaying. After all, I was already wearing “Jedi robes” and swinging around plastic lightsabers as a wee lad. Obviously, it was an already beloved world of pretend play, I just needed some dice to go with it. Add a best friend who had acquired the West End D6 system books, and the rest is Never Say Dice history. How do you recreate the excitement and magic of Star Wars at the tabletop though? In celebration of Star Wars Day , I’ve done my best to answer that question for my regular Dungeons & Dragons players in what may becom

Over the years, I've heard many an author, agent, editor, and publisher claim (facetiously or otherwise) that the concept of “genre” exists solely to make it easier for bookstores to arrange their stock, that it’s ultimately a marketing invention to better move product. It’s funny, though, I don’t think I’ve ever heard this sentiment from the people who enjoy said product, jokingly or otherwise, whether they be readers, players, or audience members. A divide of this scale can’t help but lead to questions. Are both groups talking about the same thing? What exactly is a genre, anyway, and what role does it play in the telling and experiencing of stories? I first began to question "genre" in a college creative writing workshop. Until then, I had taken for granted that the categories of science fiction, fantasy, mystery, horror, and thriller had been structured and organized by nature like the Periodic Table. This certainty wasn’t broken by coursework or  some newfound clari

Welcome to the wrap up for this series on the adaptations of the Lion, The Witch and the Wardrobe . If you missed them before, you can go back and read my reviews of the Disney version as well as the 1979 animated and BBC editions . In this post, we’ll review what little remains of the ITV adaptation and take a look at my overall rankings of the three full versions that I was able to find. Finally, we’ll take a quick look at what the future may hold for Narnia. ITV I can’t really compare the serialized ITV version to other productions, as most of it has been lost to history. That being said, I did find two existing parts on YouTube, and watched all sixteen surviving minutes - albeit in poor quality, even for 1967. It felt much like watching some of the earliest Doctor Who , once again taking me back to watching reruns on PBS as a kid. That isn’t the only time Narnia and Doctor Who are connected, but we’ll discuss that in another post. Episode 8, Parts 1 and 2 detail Aslan meeting Edm

  Recently, collective ranting amongst the NSD team about a listicle purporting to share "ten things that don't make sense" in the first Back to the Future film grew into a larger discussion about the nature of "Nitpick Culture" - (mostly) online media "criticism" centered on throwing out as many "mistakes" or "plot holes" in a work as possible, whether there's an actual problem or not, and often contradicting itself in the process. Youtubers Shaun and Jack Saint have done some excellent video essays on the subject, but we wanted to have our own conversation, both as fans and as creators.   Bugsy : Let's talk about the specific post that set this all in motion, since it's not only about a topic we each know very well, but also embodies quite a few aspects of "Nitpick Culture" in general. Andy, how would you respond to the author of "Back To The Future: 10 Things That Make No Sense About The Original Mo

The momentous, long-awaited release of Bill & Ted Face the Music has finally taken place, and your most-humble friends at Never Say Dice have undertaken this journey (of indeterminate bogusness) to discuss it with you, our truly excellent readers . By necessity, this conversation will have some spoilers, so if you haven't seen it yet, go forward in time to when you have, then come back to today and pick up right here. Bugsy : Well, Andy, it actually exists. After rumors and legends and delays and everything else, a third Bill & Ted movie is out there in the world, and we should take a minute to appreciate that. This wasn't a cynical studio cash grab to exploit nostalgia from a long-dormant property, but a labor of love from both the series' creators and the fans, and, regardless of anything else, I'm happy that it's here and we're able to talk about it. Andy : It is also a truly triumphant film. I may have a few small issues with it, but we'll get i