This week features a rather obscure holiday honoring something that was a surprisingly large part of our collective youths: National Shareware Day. It can be hard to imagine now, but in the days of dial-up BBSs, disk swapping, and a pre-web internet, there was an entire file sharing ecosystem supporting independent software, which included a wide variety of games. From the “Episode 1 is Free” model to the “Breaks Itself After a Certain Period of Time'' approach to "Too Weird to Release Commercially” examples, shareware was the primary way PC users got to experience new games on the . As Andy and I both grew up at the tail end of this era and were denizens of local BBSs, we got to see a lot of this firsthand, and thought we’d discuss  this strange relic of our collective past, why it’s still intriguing, and how it relates to current publishing models for both electronic and tabletop games. - B B : Andy, what were your earliest shareware experiences? A : To talk about that,

I’ve recently come to the ending (such as it is) of Metal Gear Solid V: The Phantom Pain . I’d been putting it off for a while, with a whole range of reasonable excuses. I need to play Metal Gear Rising: Revengeance first! I need to make more progress in Peace Walker - sure, I’ve made it to both endings, but not the Monster Hunter missions! I can’t hog the PS3, it’s our main household media device! And I don’t have the time for a game that size, anyway… Maybe I was scared by the reviews and references I had come across - did I want to delve into the final installment of my all-time favorite game series and be disappointed? One by one, though, they all fizzled. We got a PS4, so I was able to spirit its predecessor off to my desk for solo gaming whenever I have a chance… which meant I was able to play Revengeance ... and plow away at Peace Walker until I got sick of failing to take out that damn Attack Chopper (Custom) over and over. And finally… there was COVID. I should mention an a

If you don’t already know about Risus , you can find out a ton about it in various places, including my own Introduction to Risus post on this very blog. To put it simply, Risus is a rules-light,versatile, and downright fun “anything” TTRPG. If you’ve read my previous post, you’ll know I’ve been building a setting for this particular system: Risus Arcade, a world in the style of series like ReBoot and Wreck-It-Ralph . This week, I’ll be detailing my builds for the four characters from the arcade classic Gauntlet ! The original Gauntlet is a third-person, top-down, beat-em-up (so many hyphens) game you could play with three other friends at your local arcade. While I visited the arcade plenty of times growing up, I mostly remember playing it on home consoles. It was ported to a number of different systems, so there's a good chance your own experience was similar. The series has evolved and changed over the years, with the latest edition, also entitled simply Gauntlet , appearing o

Bugsy : While it may appear that we chose this topic to get out of talking about this year’s cancellation of Free Slurpee Day , this is actually something we’ve been meaning to cover since first starting the blog, and Andy’s finally given in to my whining agreed to go with it this week: video games. Or, if you prefer, “electronic gaming” - I know that some people go for this more inclusive term that removes implied platform limitations. We both grew up around various consoles and systems, and (unsurprisingly) have developed a few strong opinions over the years. The COVID-19 pandemic has also given us each an excuse opportunity to delve a bit more into the medium recently, and we thought this would be a good time to discuss the way electronic gaming fits into our lives as working adults and how they influence our approaches to tabletop gaming and storytelling in general. Andy : If you asked my mother (my mom thinks I’m cool!), she’d probably inform you that my first experience with el