April Fools! You know it’s a good holiday if an important part of it is shouting the name at an opportune moment. But who, and what, are the fools, exactly? The fooler, the foolee, the act of fooling, itself? The fools inside us or the fools we fool along the way? April Fools is somehow all of these and so much more. Rather than do a leg-pulling post of disingenuous nonsense (not to be confused with our regular… “genuous” nonsense?) that doesn’t read as well between April 2 and March 31, we thought we’d talk a little about how you can go about bringing some of that April Fools’ spirit into your games. Maybe even the spirit of the original April Fool, Dickens-style ? - B     B : Working out what makes any kind of joke “work” is always going to be tricky, if not impossible (a “fool’s errand,” one might say”, but pranks have the additional complication of needing the prankee to “buy in,” and accept something as presented to them, while also making the reveal accessible to them in some way

Choosing who you would defend, or knowing who would have your back when the proverbial dung hits the fan should be pretty easy. When the dice hit the table, who do you want sitting alongside you to help destroy that dragon or make that million-to-one shot against the space station? Your initial reaction might be to name those same people... but is it really going to be those ones you’re already with? We’ve talked before about how you might convince people you know to join a game . For some of us, it really might be the exact same group. For many, however, the answer is probably very different. Why do we pick different people to join us at our tabletops? Have I been gaming with the wrong people? What kind of thought process even goes into deciding who we should game with? These are all very good questions, and this week we’re going to take a look at some potential answers so you can find the right game and the right people. - A A : Choosing your game preferences is a good first step to

We’ve talked before about how gamemasters and narrators can use details to build story. But these details don’t always need to be part of the plot, and are often as much about the worlds the characters occupy as they are the events they’re taking part in. And while we all draw inspiration from our own out-of-game experiences , aren’t people playing games and engaging with stories to get away from everything they have to deal with in the “real world” (such as it is)? What kind of “slice of life” details to build the setting and atmosphere, and what risks bogging things down? And, in collaborative forms of narrative like tabletop roleplaying games, how do we encourage others to share the details of their own characters’ lives in a way that grows the story for everyone? - B B : As I’m sure our readers are no doubt aware, my favorite tabletop game, and the one I have the most experience running, is Paranoia , a game which is as much setting as it is system. Games like this can be somethin

It's time to come clean: most of my recent electronic gaming selections have been inspired by genre discussion threads on the Something Awful forum , particularly explorations into the "Shoot 'em Up"( SHMUP ) and JRPG genres. There are plenty of holes in my experiences with the medium, and I always love to hear people talk about why something does (or doesn't) work for them... especially when their suggestions are already part of my gargantuan game backlog . The most recent one, though, was for a genre I was more familiar with: "Stealth Games." Regular readers shouldn't be surprised here - given how often I bring it up, it should be obvious that my all-time favorite series is Metal Gear , which has defined much of the "stealth" genre. Not only those games, though, but also Tenchu, Hitman, Assassins Creed, and Dishonored , all of which I've discussed before as part of the "assassination game" sub-genre, and well as those tha

The NSD Team are both 90s kids, and nerdy ones at that, so the recent passing of rapper Coolio hit us both because of his own work (near-inescapable for a period in our adolescence) and because of the odd relationship he had with "Weird Al" Yankovic's parody of his biggest hit, " Gangsta's Paradise ," as " Amish Paradise ." Al had been given permission by Coolio's record label, but not Coolio himself, who had issues with his work being parodied. To my knowledge, this is the highest-profile of a parodee being upset about Al's version, and it's certainly the one time I was around to experience it. But what makes a parody stick with us just as long as the original, and, in some cases, even longer? What do we, as audiences, get from them and how should we approach them as creators, ourselves? "Weird Al" Yankovic,as I've written about before , played a vital role in my musical journey. He wasn't constrained by genre, so eac

It's important  to set goals is in life. You may have a long-term goal that seems nearly impossible at first: moving to a certain city, buying a new car, etc.  Or your goal may be as simple as getting out of bed in the morning and making it through another day. Steps, or objectives, on the way to accomplishing these things could be hitting certain thresholds of savings, or making sure to brush your teeth whenever you go out. Even the simplest goals are still valid. More than likely, you'll have several objectives or goals on any given day. Some may be related or even seem contradictory, depending on how you're looking at them at any given moment. (Hopefully, you'll accomplish some of them. Let’s count reading this blog as one. Go you!)  Many tabletop game sessions are based around a single goal or objective: rescue the noble from the opposing forces, take the MacGuffin to the volcano and throw it in, or find a lost sword for the knight. Setting additional goals or objec

In the broad scope of media, sequels, prequels, and remakes are all often maligned. This might be less common in gaming, although we do see it there as well. Part of the issue could be the time between between releases, and all the changes that take place across the various industries during the interim. Complain though we might, audiences will still (usually) jump on board to at least get one more taste of a favorite media universe, even if they end up deciding they hate it afterwards. Here at Never Say Dice, we’re no different than any other media consumers - we still long to voyage into our favorite media worlds once again. For this post series, we’re going to venture off the beaten review and commentary path to talk about some sequel, prequel and remake ideas of various properties that we'd like to see... regardless of how likely any of them are happen. For this post, we’ll start off with a few games I'd like to see revisited. One classic video game I 'd like to see rem

“Oh man, it was so cool when…” We’ve all heard it from our friends and the people around us when talking about the media they’re engaging with, whether it be movies, books, TV, comics... you name it. For those of us who run tabletop games, words like these tend to get our GM-senses tingling. But how do you go about “making the pitch” to get them interested in joining your game? How can you take the things you know people like and build interest through them, even if your game isn’t officially attached to that media property? After all, “I heard you like explosions…” only tends to work on other GMs! - B   A: You'll probably find that there's a decent system for whatever media you overhear someone showing an interest or appreciation in. Spy movies, action flicks, fantasy shows, space operas... they all have their own systems, sometimes multiple, and often even attached to the specific property they’re interested in. It won't necessarily be what you want to run a game in, tho

Close to the start of the pandemic, we talked a little bit about playing RPGs alone . However, we all know that TTRPGs tend to be a team sport. It doesn’t matter if you like to meet in person, or at a virtual tabletop, this is typically a game played with friends. Where do you start though? If you’re a newcomer to the hobby, either as a player or someone interested in running games, the number of options can be overwhelming. What game do you start with? Who should you play it with and how do you find them? Do you need your own dice? What are you not even thinking of? Help! Hopefully we can answer a few of these questions and put you at ease, even if you’re only hopping out of your current familiar game genre and into a new one. So here are our tips for those of you just starting out, and for you veterans of the table who are trying something new.  - A A: Whatever your reason, you’ve decided to try your hand at a tabletop role playing game. Maybe you have a story you’re interested in te

Hey, It’s-a me Never Say Dice! We’ve gathered here once again to celebrate the flimsy excuse of a corporate holiday: March 10, otherwise known as Mar10 (or Mario) Day. Last year, after making a few suggestions on how you might celebrate the holiday, we discussed how details can serve as the Power-Up Mushroom for Your Narrative . We talked about what a person’s intro to Mario might have been, the story behind the "original" Super Mario Bros. on the NES, and what it could mean to us in our tabletop stories and elsewhere. Certainly, your first experience with Mario may have been a media cash grab like the one linked above. You could also have come to meet Mario later in life as part of an Olympic, Kart racing game, party game, or any number of other titles Nintendo inserted the character into. ( Mario Tennis in 3D on the Virtual Boy , maybe? Anyone? Hopefully the first time you met Mario it was at least less headache inducing.) Perhaps your first introduction to the plumber in