Last week , Andy dove into one of the most "D&D" of all topics, Alignment, to ponder (if you'll pardon the expression) the role it can  play in our modern tabletop experiences. As editor, of my (self-assigned) roles (I swear I'm not doing this on purpose) is to add links wherever possible to back background information, support claims, and, if it's a topic where I have interest, but little experience, act as bookmarks for further research on my own. The links in " Misalignment " largely fell into that last category. I am something of a Dungeons & Dragons outsider - ironic for a person who co-founded a gaming blog, as the game/system is largely synonymous with tabletop roleplaying as a whole. Aside from sitting in on a few games and haphazardly reading the handful of TSR books (spread across multiple editions, naturally), my D&D experience comes from media attached to the franchise: several generations of gamebooks, the original Dragonlance

Let’s say upfront one thing we lifers tend to take for granted: TTRPGs can be an expensive hobby, especially if you prefer (or need) printed editions of materials. To be fair, a well-made book can last for years or even decades, and the costs can be spread across numerous purchases. But, as is often described via boots and toasters [find appropriate link or alternate metaphor], it doesn’t matter how much one saves over the long term if you can’t afford the initial investment… not to mention that beginners are often only aware of the most prominent (and, thus, expensive) RPGs on the market. While old-timers like us know well how to navigate and/or mitigate costs when it comes to our TTRPG purchases, it can seem like a wild, pricey world out there for newbies. So this week, we thought we’d talk about the different ways to battle fiduciary gatekeeping, whether it be for yourself, or any newcomers you know looking to break into the hobby. - B B : If there's a standard baseline form for

Let's get this out there now: I love explosions. Like any 80s kid, it originated with cartoons - although I'm sure each of us has our own story, going back to a specific movie or show. For me, it was the original Danger Mouse , which premiered in the UK the year Andy and I were both born: 1981. By the mid-80s, it was on Nickelodeon here in the states, and required viewing for my father, my sister, and myself. The opening is a frenetic, yet oddly sparse, mess of energy, serving as a great lead-in to the show itself, with the titular Danger Mouse and his hamster assistant Penfold running from a number of old-fashioned  bombs, each punctuated with an onscreen "BANG" or "BOOM." With each of these "blow-ups," as I called them, my father would lift me and my sister into the air and we'd go into the episode energized and giggling. Blow-ups were not only moments of excitement, but familial joy. Before long, I'd be exposed to the ur-text of cinemat

Though occasionally we may wish it was January’s National Pie Day , a Happy belated Pi Day to all! Also, a Happy Blogiversary to Never Say Dice. Baking up 4 years of posts has been a tall order, but we’ve risen to the challenge every week. It should be no surprise that we've baked up another post for our dear readers that's crusted over with sprinkling of delicious puns. In previous years we’ve provided adventure hooks , rolled out a number of character concepts, and even some proofs of pie-rates . One thing we haven’t yet filled the posts with  are Pi-tems. So this year, you’ll find a small collection of pi and pie themed items for your consumption. Enjoy! - A Pi-noculars - Sure, you have your regular noculars in games. You might even have some bi-noculars. But what about pi-noculars? They let you see just as far as the standard binoculars from your game, but you can see around the largest object in view. Bakery in the way? Crusty old tree blocking the path? Use the pi-noc

How much time have you spent on a particular game? How much time have you spent in that game? While modern electronic games present your total playtime with a prominence making it almost impossible to avoid (especially if you're using a service like Steam), it hasn't been that long since the former question was entirely on the player to keep track of and the latter simply nonsensical. While some of this is a function of the way the Almighty Algorithm tracks us and our gaming habits, it's also a result of games having endings - something else that wasn't always present. Not that the ever-running clock exists solely to feed the gnawing hunger of a monstrous inhuman marketing machine, but it really is a useful factor in how we select games and try to fit them into our busy lives. Likewise, time passing within a game's setting is the result of the medium's development in general. The passage of time in Pac-Man 's nightmare world of flashing lights, powerful (i

The paddle. The light gun. The push-button guitar. All manner of joysticks, trackballs, and, of course, gamepads. The Nintendo Power Glove. The Coleco Super-Action. The Brøderbund U-Force. The Sega Toy-let (maybe... don't look that one up). We here at Never Say Dice collectively have lifetimes of experience with electronic games, and have seen all kinds of control peripherals come and go . From the straightforward to the truly bizarre , they all share a common purpose: to act as the medium between player and game, the means by which all interaction occurs beyond the one-way comprehension of audio and visual output. For such a significant role, though, the humble controller seems a little-recognized aspect of gaming as a developing artform and storytelling medium. When an idea catches on, it's quickly taken for granted, while alternate approaches are derided as foolish delusions or gimmickry. So, this week at Never Say Dice, we'd like to steer the conversation to electroni

So you’ve reached the final level of your game, maybe even the final boss. Or you’ve just hit level 20 in your D&D campaign. Congrats! Those are all fantastic accomplishments. While we do mean the sentiment, that isn’t what we mean by Late Stage Gaming though. So what do we mean by Late Stage Gaming? Like other media before it, it looks like games are starting to push to the subscription only model. A path where you’re not just paying for extras, but paying to maintain access to the game itself. What exactly is happening? What does this mean for us as gamers, both tabletop and digital? When should we really start to worry? Is there anything we can do about it? Won’t somebody please think of the children?!? Sit down with Never Say Dice this week as we try to cover some of those questions in today’s post. - A B : “Late Stage Capitalism” is a term describing the commodification and industrialization of every aspect of life, especially once the profit motive overtakes even elements of

What should you, the detective, do now ? That's one of the first prompts for interaction I ever saw in a mystery game: The Witness by Stu Galley (although modern accreditation would likely say "directed by" rather than attributing the whole thing to him) and  published by Infocom in 1983 for just about every home computer platform then in existence. I acquired the Commodore 64 version from a yard sale and immediately rushed up to my room to try it. I've loved detective stories for literally longer than I can remember - it's simply always been . The complete collection of Strand Sherlock Holmes stories I received for my seventh birthday was one of my most prized possessions and I frequently hauled the massive tome to school with me... even if I never made it past the first few stories. Encyclopedia Brown, a little closer to my demographic, was a hero of mine and I think I had every book in the series (along with the adjacent se ries Encyclopedia Brown's Book o

It happens in all sorts of media that incorporates music: movies, TV, plays, audio dramas... a few notes play and, at least if you’re a fan, you know who's about to show up even before they actually enter. It even happens in other live activities such as sports - that song starts, the crowd gets pumped,  and you know exactly who's coming out onto the field or into the ring. While we’ve had posts about music in the form of Never Say Disc , and even a few posts that mention choosing music to set the scene in your tabletop games, we’ve never focused on music for a particular group or character. Something to bring you into the game, get you pumped, put you in the right mindset and/or set you up for a good gaming session. So this week, let’s do just that - discuss using music to bring you into the game and increase your immersion at the tabletop. - A A : Picking intro music for a group can be an easy task, depending upon what you’re playing. If you’re sitting down to a Star Wars se