As we've discussed here before, electronic games have a fascinating relationship to “player characters,” with a number of evolutionary paths developing ever since players were first asked to identity as the captain of a spaceship, the spaceship itself, or a nondescript adventurer about to descend into a colossal cave. The only thing that defined characters was their role within the game and the means through which the player interacted to fulfill that role. Anything beyond that was, to borrow a phrase, an exercise for the player’s imagination. It's easy to assume that most people approached these stories as shapes to move around a screen or math problems to systematically solved, but there's also no reason not to think players might have filled out these scenarios with elaborate backstories of their own or (in the case of Star Trek ) connecting them to an established setting, characters, and storyline. Either way, creators had little to work with, given their limitations b

Electronic gaming has changed a lot over the years, and we at Never Say Dice have been lucky enough to experience these changes first-hand. As the scope and potential of games has grown, so too have distribution networks, allowing us to find and buy games that physical stores might not have thought worthy to stock. The shift to digital distribution has brought countless benefits (and, we must acknowledge, a fair number of drawbacks), but it’s completely removed one element that seemed an integral part of electronic gaming in our youths: the printed manual. This week, we thought we’d take a moment to appreciate this now-lost aspect of physical gaming media and how it helped define the gaming experience of its era. - B B : The shift away from manuals predates the rise of the digital storefront, of course. As storage media developed and games were able to integrate more and more of the material that had to be offloaded into a physical manual, packaging got smaller and smaller. In the cart

If you want to become proficient, or even competitive, at games it is likely going to  take a lot of practice. You aren’t likely to win the first game of chess you play (unless someone is letting you), and of course there is strategy to learn after you get the basics down. The same can be said for many kinds of games. Certainly the skills required in sports need practice to become good at them. Dribbling, passing, catching, scoring. You might have some innate abilities, but there is always something to improve. If you don’t, you might embarrass yourself when you get out there on the courtfieldpitchrink. Sometimes even seemingly simple games like Go become deceptively complicated when you start digging in. Can the same be said of tabletop roleplaying games? Do we need to practice them, and if so what do we practice? Ponder the answers as Never Say Dice discusses practicing TTRPGs. Isn’t it just "pretend with rules?" What is there to practice? One simple description of tabletop

The methods of Claus, the Great and Powerful are universally known, told, quite literally, in song and story. (Much of the established canon comes from one particular poem , in fact, making it both a song and a story.) Long before the Elf/Shelf Surveillance Network was set up, we were assured that Santa simply knew if we were "bad" or "good," and admonished to be the latter if we had any hope of receiving the presents we were expecting. The punitive lump of coal is an interesting holdover from an era when the stuff was commonplace - but it persisted long after most children had ever seen a lump of coal, let alone had to help carry it or feed it into home furnace (there also being an implication of punishment and drudgery for those benighted children unfortunate enough to find themselves part of an anthracite yuletide). But... you never actually hear about those, do you? That's a side of St. Nicholas rarely seen. Some regional traditions pass these duties off t

Thanksgiving really is one of the most American of holidays (if you ignore that weird Canadian version , anyway). Even more than, say, Independence Day, there's a clear disconnect between the celebration itself, the story it's commemorating, and the actual messy history. It is, in its own way, an origin myth of (white) American identity - of Europeans fleeing persecution to a new land, which welcomes them through both a bountiful harvest and the kindness of a native population willing to share it with them. It's the pilot episode for Manifest Destiny , blatantly ahistorical to even most elementary school students, and, weirdly enough, genuinely accepted as such. Most depictions of the holiday, at least prior to the rush of Cold War hagiography that presented American history as a theatrical attraction with a "NO COMMIES" sign at the entrance, was focused on the imagery of food and family. Specific foods at that, making this one of the few ritualistic meals to surv

Celebrate good times. Come on. It’s a celebration. (I will.) Between birthdays (and births), deaths, adoptions, holidays, graduations, engagements and weddings, honors of all kinds, personal milestones (like a 100th blog post ), and everything in between, our regular lives are simply filled with opportunities to celebrate. Just looking at the month of November in the US we have Dios de Los Muertos, All Saint’s Day, All Soul’s Day, Daylight Savings, Election Day, Veteran’s Day, and Thanksgiving... and that's just hitting the “big” things in the US. That leaves out all sorts of official (like Native American Heritage Month) and unofficial (National Fast Food Day) recognitions. It also doesn’t recognize that Halloween just passed and holidays like Hanukkah, Christmas, and Kwanzaa as well as many others are on their way. While we may have touched on adding holidays in other posts, it would be good to talk about celebrations in general. So take a moment to celebrate with your parties an

The Halloween Episode is a rarity among rarities, a riddle wrapped in an enigma, wrapped in wax paper. In episodic shows, the passage of time is generally ignored - it draws too much attention to the artificiality of the premise and questions how the world of the setting syncs chronologically with the world of the audience. On top of that, when holiday episodes do come along, they generally have certain expectations of tone and theme - particularly when it comes to Christmas. Halloween episodes, though, are something different: the only real expectation is that they’re going to break from the normal “reality” of the show. They don’t necessarily have to be scary (or even have the trappings of scary things), but they do have to be weird. In some cases, particularly with more serialized shows, this shift allows for a new perspective in the ongoing story, a different way of seeing the narrative that will put past and future events in a new context. My favorite example of this would be Mill

And so we come to the big one in terms of showing advancement and development in your sword-and-sorcery fantasy setting, one that touches, and is touched by, all others: government. Kings, Emperors, and other monarchs are an inevitable element of any setting based ostensibly primarily on medieval Europe, but beyond that, things tend to get… sketchy. But those sketches are a great place for imaginative creators to fill in details , and shifts in governmental structures are some of the clearest signs of change in any civilization. And, if your setting includes more than one location, you can try out different, competing approaches and see the way they interact… often with the players/protagonists in the middle. So from barony to republic, from kingdom to anarcho-syndicalist commune , let’s explore how you can use government and politics to move your fantasy forward! - B A : For deeply political tabletop campaigns, it takes a special kind of group and a special kind of game. Just the sou

Last week, we started a new series of posts on how one might go about changing the stagnant nature of many “default” sword-and-sorcery fantasy settings by exploring how various aspects of the setting might develop over time and how the protagonists (or players, if this is in a tabletop RPG) might have an effect on these changes. While we started with one of the most obvious factors (technology), this week we thought we might go with something a little less so: economics, including the effect dungeon crawling might have on a regional economy that finds itself inundated with recovered treasure and artifacts… not to mention the adventurers who show up looking to get in on the action.  - B A :  The economy might be one of the most difficult things to consider in a game world - it's dangerous to upset the balance of your tabletop games. Just as with our technology post, a small change in the economy can have huge ripple effects. This is something we were even touched on: the city with a