It happens in all sorts of media that incorporates music: movies, TV, plays, audio dramas... a few notes play and, at least if you’re a fan, you know who's about to show up even before they actually enter. It even happens in other live activities such as sports - that song starts, the crowd gets pumped,  and you know exactly who's coming out onto the field or into the ring. While we’ve had posts about music in the form of Never Say Disc , and even a few posts that mention choosing music to set the scene in your tabletop games, we’ve never focused on music for a particular group or character. Something to bring you into the game, get you pumped, put you in the right mindset and/or set you up for a good gaming session. So this week, let’s do just that - discuss using music to bring you into the game and increase your immersion at the tabletop. - A A : Picking intro music for a group can be an easy task, depending upon what you’re playing. If you’re sitting down to a Star Wars se

This is an anniversary that, as the quintessential 90s kids cuspers X-lennials Oregon Trail Generation “ geriatric millennials ” was impossible to avoid. While we may not have been teenagers when their final album was released, the echo that Nirvana left throughout our adolescence was massive. Even aside from their own music and attitude, they helped open the door to an “alternative” culture that affected every part of our lives. When the Nevermind anniversary rolled around a few years ago, we didn’t do a Never Say Disc feature - it seemed like everybody was talking about the record and impact it had. This time though, the coverage seems muted, limited mostly to the fans and music scholars. And that’s a pity, In Utero is a unique and significant record… to us personally, to the music and culture of the time, and, yes, to the people that made it, even on the edge of the precipice. We have the hindsight of knowing what happened next, and there’s no way to separate this record from t

This week in our ongoing “Fantasy Forward” series of posts, discussing ways to make sword-and-sorcery settings feel less pre-packaged is going to deal with something… squishy. Something touchy-feely. Something that, I feel, is rarely used to its potential in imagined settings: culture. We’re not expecting anyone to become trained sociologists or, heaven forbid, anthropologists in building out their fantasy settings (although I’m very curious if anybody with said training has incorporated that into games of their own), but there’s plenty of room to develop how people (regardless of species) live, learn, love, and do things. Real world cultures are the product of generations’ worth of history, experiences, stories, and beliefs, which can be a lot to live up to! How can we come up with original cultural elements in our fantasy settings, and how can we convey them to our players and audiences in ways that feel natural instead of forced? - B A : Music! Art! Literature! These are all amazin

The NSD Team are both 90s kids, and nerdy ones at that, so the recent passing of rapper Coolio hit us both because of his own work (near-inescapable for a period in our adolescence) and because of the odd relationship he had with "Weird Al" Yankovic's parody of his biggest hit, " Gangsta's Paradise ," as " Amish Paradise ." Al had been given permission by Coolio's record label, but not Coolio himself, who had issues with his work being parodied. To my knowledge, this is the highest-profile of a parodee being upset about Al's version, and it's certainly the one time I was around to experience it. But what makes a parody stick with us just as long as the original, and, in some cases, even longer? What do we, as audiences, get from them and how should we approach them as creators, ourselves? "Weird Al" Yankovic,as I've written about before , played a vital role in my musical journey. He wasn't constrained by genre, so eac

The NASA mission may have been canceled, but the They Might Be Giants album lives on in its memory. The album cover that looks like it comes out of the writing of Douglas Adams * , and built like how we pick images for this site. That cover alone should give you a good expectation of the strangeness within. It is a classic clash of music, controversy and the weirdness you come to expect if you’re a fan of They Might Be Giants. Perhaps it is not their most popular recording, even at the time, but there are a number of interesting things to look at and listen to as the album celebrates its 30th anniversary. So take a look with us in our rear-view mirrors and check out Apollo 18 in actual size in this edition of Never Say Disc.  - A  * It does appear in Childhood's End by Arthur C. Clarke , though. - B A Side : Apollo 18 is a strange album full of trademark They Might Be Giants weirdness, and I have a strange relationship with it as well. I wouldn’t call it my favorite of their album

This year both the blog's founders have turned or will be turning 40, and Ozzy Osbourne’s solo career is celebrating similar milestones, with 2021 being the 40th anniversary of both the US release of his debut solo album Blizzard of Ozz and the worldwide release of its follow-up, Diary of a Madman. We reviewed Black Sabbath's debut album around this time last year for its own 50th anniversary as the first installment of our “ Never Say Disc ” segment, and it’s only fitting to follow it up with a post on the former Sabbath singer’s first solo efforts. In the future, we'll probably take a look at Dio's early solo work as well. Before then, and when our obsession with dice games allows for it, we hope to cover other artists, genres and topics. But first, we’re off to see the Blizzard… - A A Side: My copy of Blizzard of Ozz has been played so many times that I didn’t really need to do another listen before starting this post (even though I did anyway). It was one of the

One rainy Sunday a few weeks ago, I was stuck in traffic and listening to one of my all-time favorite records: Black Sabbath’s self-titled 1970 debut. Briefly, I lamented that I hadn’t gone into music criticism, despite my love of good music writing and Scrooge McDuck quantity of amassed unsolicited opinions records. If only I had a some kind of venue to try my hand at it...  and then I remembered that I did! Before I made it past the stoplight (it was that kind of rainy Sunday traffic) I had come up with the idea of a media review section for this blog, the name “Never Say Disc,” and our subject of its first post. Given our shared love of Black Sabbath and the fact that Halloween would fall on a Saturday this year, it was obvious that we'd need to inaugurate our new media section by talking about Black Sabbaths’s Black Sabbath . - B  Side B In my personal history of rock music, there is a specific point at which All Things Were Set in Motion, a temporal locus, if you will. An all