Last week, we started a new series of posts on how one might go about changing the stagnant nature of many “default” sword-and-sorcery fantasy settings by exploring how various aspects of the setting might develop over time and how the protagonists (or players, if this is in a tabletop RPG) might have an effect on these changes. While we started with one of the most obvious factors (technology), this week we thought we might go with something a little less so: economics, including the effect dungeon crawling might have on a regional economy that finds itself inundated with recovered treasure and artifacts… not to mention the adventurers who show up looking to get in on the action.  - B A :  The economy might be one of the most difficult things to consider in a game world - it's dangerous to upset the balance of your tabletop games. Just as with our technology post, a small change in the economy can have huge ripple effects. This is something we were even touched on: the city with a

It’s come up a few times, and may be considered ironic for someone who co-founded a gaming blog, but I have trouble getting into media that gets classified as “fantasy” - in as far as the term is generally used in gaming and publishing, and the preconceptions this usage brings. In other words, sword-and-sorcery stories and games set in some variant of medieval Europe, frequently featuring a stock set of species including elves, dwarves, orcs, and Hobbits halflings. It’s taken a while to put this hesitancy into words, especially since I eagerly devoured these kinds of works when I was younger - but I think this ultimately gets to the crux of the matter: something I’m calling the Been There, Done That (BTDT) Threshold. We all have them for everything we choose to engage with, and they’ll vary based on the things we’ve consumed and the amount of variety we’d like to see. In this instance, my exposure to this kind of fantasy had hit a critical mass, so the baseline where I’d go “been ther

A while back, I was on an expedition in my attic to find my copy of the Bill & Ted comic book as background material for a post... but I found something else, an old roleplaying artifact. The book? Dungeons and Dragons, Supplement 1: Greyhawk (9th printing). A 68-page pamphlet-like book filled with relics of a bygone age. The rules have changed over the years, but taking a dungeon delve into a piece of history can still inform us today. We’ve already looked at the “ Men & Magic ” and “ Monsters and Treasures ” sections in previous posts and discussed a variety of the topics they contained. Now it's time to take a look at the final section of the book, this one entitled “Underworld & Wilderness Adventures,” to find more interesting pieces of history and a little bit of inspiration. What will come from the epic conclusion to the book? A few "new" adventure ideas or an original take on something we now consider to be "classic?" With essentially only a

I'll say it up front: I am no fan of winter, despite the fact that some media I enjoy features it prominently enough to call it a central character. It's probably no coincidence that these are harsh and violent stories of twisted motivations, revenge, and betrayal where the weather is a monster to be feared. I'm no fan of the cold, the lightlessness, the monotony... sometimes, I think being born in California might have affected me more than I realize. Recently, I discussed choosing games to match your mood and situation , and mentioned that the change in weather and real-world frustrations had led me to return to a few games I had taken breaks from: Fallout 3 and Demon's Souls . With the winter solstice just around the corner, I thought I'd explore why these games are speaking to me at this particular moment, and what I (consciously or not) am looking to gain from them. Both these games could be described as "post-apocalyptic," but a more appropriate t

For almost as long as we’ve had tabletop games, they’ve been depicted in various media, from movies and TV shows to news and print. Arguably, at least until the most recent gaming renaissance we’ve entered, that portrayal in mainstream media has mostly been negative. If you lived through the Satanic Panic like the two of us at Never Say Dice did, you’re likely to understand what we’re talking about. For those newer to the hobby, tabletop game fans were depicted as socially-inept, sloppy nerds at best, and Satan-worshiping murder cultists and at worst. (Can’t we just be both in peace!?!) Perhaps as the hobby, and those who partake of it, have matured, these portrayals have softened a bit. Or perhaps positive representations in streaming media have made a significant change. Maybe it's both. This week, we thought we'd talk about how we've seen these depictions change, and how has they've affected our shared hobby and the preconceptions newcomers bring to it?  - A A : C

In the broad scope of media, sequels, prequels, and remakes are all often maligned. This might be less common in gaming, although we do see it there as well. Part of the issue could be the time between between releases, and all the changes that take place across the various industries during the interim. Complain though we might, audiences will still (usually) jump on board to at least get one more taste of a favorite media universe, even if they end up deciding they hate it afterwards. Here at Never Say Dice, we’re no different than any other media consumers - we still long to voyage into our favorite media worlds once again. For this post series, we’re going to venture off the beaten review and commentary path to talk about some sequel, prequel and remake ideas of various properties that we'd like to see... regardless of how likely any of them are happen. For this post, we’ll start off with a few games I'd like to see revisited. One classic video game I 'd like to see rem

Being a fan of obscure holidays, they tend to serve as inspiration for my games from time to time. This time around, it's National Archery Day which has been celebrated on the second Saturday of May since 2015. I wouldn’t want to shaft this particular holiday, so in this post we'll take aim at an aspect of gaming that can sometimes get ignored: ammo. If you’re going to be playing a tabletop game involving combat, there's a good chance it will feature some sort of ranged weaponry. In a fantasy setting, this will likely take the form of longbows, crossbows, and slings (and perhaps even the occasional flintlock), along with their respective ammunitions: arrows, bolts, and bullets (or "ball" if you're a Flintlock Aficionado). Of course, you might have thrown weapons such as spears, axes, and knives, as well. A more modern setting might use grenades and any number of guns with a variety of projectile types. Something in a sci-fi or futuristic genre will probably

Dungeon . The word with significant historical connotations and some modern ones we won’t get into here, but to enthusiasts of tabletop roleplaying, it means something very specific: it’s ⅓ of the name of the most successful and influential RPG of all time, after all. (We’ll discuss the significance of the “&” another time. (and maybe the other D too - A) ) Early D&D materials refer to “the underworld mazes” (note the preposition, dungeons are considered a default part of the setting), and offer some advice on making them (somewhat) plausible, but never directly consider the societies that built them. While many pre-published adventures do include some information describing long-gone inhabitants, incorporating this kind of detail into original worlds can help create a detailed, rich setting. This week, we thought we’d talk about how to make dungeons and other ruins feel like places that lost peoples made and lived in, and how to share these details in your play sessions. - B  

Hey, It’s-a me Never Say Dice! We’ve gathered here once again to celebrate the flimsy excuse of a corporate holiday: March 10, otherwise known as Mar10 (or Mario) Day. Last year, after making a few suggestions on how you might celebrate the holiday, we discussed how details can serve as the Power-Up Mushroom for Your Narrative . We talked about what a person’s intro to Mario might have been, the story behind the "original" Super Mario Bros. on the NES, and what it could mean to us in our tabletop stories and elsewhere. Certainly, your first experience with Mario may have been a media cash grab like the one linked above. You could also have come to meet Mario later in life as part of an Olympic, Kart racing game, party game, or any number of other titles Nintendo inserted the character into. ( Mario Tennis in 3D on the Virtual Boy , maybe? Anyone? Hopefully the first time you met Mario it was at least less headache inducing.) Perhaps your first introduction to the plumber in