POW! BIFF! ZOT! Fight scenes have been a part of narrative media for... well, as long as there has been narrative media . The Illiad , for instance, is full of the granular blow-by-blow we expect of fight scenes today, regardless of medium . So this is not a topic for which I can do any kind of justice - I'm sure there are people who have dedicated their entire careers to the study of narrative combat, and there will always be more to talk about, more to discover. Rather, this post will explore some recent thoughts inspired by (what else) a mostly-forgotten twenty-year old video game. Oni is a third-person action game with a focus, despite the arsenal of weapons featured in the official art, on melee combat. Today, it's remembered mostly as the game Bungie made after Marathon and Myth , but before Halo . Culturally, it's a rather bizarre relic: a western attempt at making an "anime game" based on limited reference points that the creators lifted wholesale, partic

Today is V-E Day, and earlier this week, by sheer coincidence, I declared victory over Return to Castle Wolfenstein - specifically the Playstation 2 version. I'd started it a while ago, but picked it back up both to try and cut down my gargantuan list of  “in-progress” games and to build up to playing the more recent titles in the series with Andy. Playing RtCW in 2021 was certainly... an experience . I haven't chosen the games I've played during the pandemic specifically because of their relation to current events, but an eerie number have featured infectious disease plots ( Metal Gear Solid V , Dishonored , and Marvel's Spider-Man ), so gunning down Nazis at least gave me a chance to engage with a different aspect of our unfortunate times. Return to Castle Wolfenstein is, obviously, an "historical" game, but in more ways than might seem obvious (or intended)., The era it conveys is not the 1940s in which it was set, but the way that period was conveyed in

Over the years, I've heard many an author, agent, editor, and publisher claim (facetiously or otherwise) that the concept of “genre” exists solely to make it easier for bookstores to arrange their stock, that it’s ultimately a marketing invention to better move product. It’s funny, though, I don’t think I’ve ever heard this sentiment from the people who enjoy said product, jokingly or otherwise, whether they be readers, players, or audience members. A divide of this scale can’t help but lead to questions. Are both groups talking about the same thing? What exactly is a genre, anyway, and what role does it play in the telling and experiencing of stories? I first began to question "genre" in a college creative writing workshop. Until then, I had taken for granted that the categories of science fiction, fantasy, mystery, horror, and thriller had been structured and organized by nature like the Periodic Table. This certainty wasn’t broken by coursework or  some newfound clari

 "This holiday is yours, but we all share with you the hope that this day brings us closer to freedom, and to harmony, and to peace. No matter how different we appear, we're all the same in our struggle against the powers of evil and darkness. I hope that this day will always be a day of joy in which we can reconfirm our dedication and our courage. And more than anything else, our love for one another. This is the promise of the Tree of Life." - Princess Leia Organa Andy : The Star Wars Holiday Special is something of a dark legend in nerd culture. Airing only once, November 17, 1978 on CBS, it was a quick attempt to cash in on the popularity of the original movie, released a year prior. Almost universally, it's agreed that the special is a horrible abomination. Copies of it have been historically difficult to find, as it was never rebroadcast or officially released. However, you might track down a copy on a torrent site or streaming video. Personally, I’ve seen enou

  Recently, collective ranting amongst the NSD team about a listicle purporting to share "ten things that don't make sense" in the first Back to the Future film grew into a larger discussion about the nature of "Nitpick Culture" - (mostly) online media "criticism" centered on throwing out as many "mistakes" or "plot holes" in a work as possible, whether there's an actual problem or not, and often contradicting itself in the process. Youtubers Shaun and Jack Saint have done some excellent video essays on the subject, but we wanted to have our own conversation, both as fans and as creators.   Bugsy : Let's talk about the specific post that set this all in motion, since it's not only about a topic we each know very well, but also embodies quite a few aspects of "Nitpick Culture" in general. Andy, how would you respond to the author of "Back To The Future: 10 Things That Make No Sense About The Original Mo

If you've been following along, you'll know I've been reading The Chronicles of Narnia books with my son and watching all of the adaptations of The Lion, The Witch and The Wardrobe . This week we’ll be reviewing both the animated and BBC adaptations. One reason I think this series of books has stuck with me is that they were some of the first things I read when making the switch between picture books and chapter books. You can find my review of the Disney film, as well as an introduction to this whole project, in a previous post . In my next Narnia post, we’ll go over what I’ve learned about the ITV version and wrap up the adventure in watching these adaptations with my family. Where will your fav orite adaptation land in my rankings? Let's first discuss the animated and BBC versions. Animated version As I mentioned in my first post, I was a bit stunned to find out that there was an animated version of The Lion, The Witch and The Wardrobe made in 1979. I’m sure it was

The Chronicles of Narnia have been on the list to read to my son for a long time. He's finally around the age I was when I began the seven-book saga, and we’ve now started read-alongs with the series. Last week, we finished The Lion, The Witch and the Wardrobe , which is the first book in the series (although not the first book chronologically.) Finishing it got the whole family excited to watch the adaptation. But which adaptation? There have been various audio versions as well as a number of theaterical productions. Let's focus on "family movie night" though. As a kid, I was a big fan of the 1988 BBC live action miniseries of the book, and the subsequent ones that they completed. I also remembered good things about the Disney version that came out in 2005. While looking up the best way to stream these two, I made a discovery. Somehow, I’d grown up unaware of both the 1967 ITV production and the 1979 animated TV movie. Would these be gems and new classics in my eyes

The momentous, long-awaited release of Bill & Ted Face the Music has finally taken place, and your most-humble friends at Never Say Dice have undertaken this journey (of indeterminate bogusness) to discuss it with you, our truly excellent readers . By necessity, this conversation will have some spoilers, so if you haven't seen it yet, go forward in time to when you have, then come back to today and pick up right here. Bugsy : Well, Andy, it actually exists. After rumors and legends and delays and everything else, a third Bill & Ted movie is out there in the world, and we should take a minute to appreciate that. This wasn't a cynical studio cash grab to exploit nostalgia from a long-dormant property, but a labor of love from both the series' creators and the fans, and, regardless of anything else, I'm happy that it's here and we're able to talk about it. Andy : It is also a truly triumphant film. I may have a few small issues with it, but we'll get i